MORE OF EVERYTHING is what happens when people who care too much about hardware put it in front of a room and dare it to do more. The agitator with the megaphone and the engraved fish are the same studio. The collision is the brand.
MORE OF EVERYTHING is a hardware company for the moment right before something becomes a market.
We work the third rail — where data, product, and technology cross — because that's where the friction is, and friction is where the interesting stuff lives. Markets, if they show up, show up later.
Every product here is a Hill Shot: a real, working thing built for a specific scene — a conservator, an artist, a fabricator, a stage — aimed at a question nobody had quite gotten around to asking. Some of these become businesses. All of them start conversations.
What we know about how these things get made doesn't show up on a spec sheet. It lives in the people we made them with — which is also why there's no team page. There's just the catalog: one fish at a time, in order, growing.
Japanese slang for the feeling you get when something is so well-made you can't stop looking at it. We build that, in hardware — and we don't apologize for being digital, loud, or specific.
Each entry is a real, working thing, paired with a saltwater fish in the order it was introduced. Live entries carry an accent color and a Pairing. Ghosts are reserved — the school grows one individual at a time.